Thursday, May 24, 2012

Gotham Writers' Workshop

This is 2012: The Year of Content, right?  I made a promise to myself to create something new: a web series, a pilot, a novel, a play.  When no one is creating projects to showcase you as an actor, you have to start creating them yourself!

I decided to take a screenwriting class.  And when I googled "screenwriting class nyc" I was lead to Gotham Writers' Workshop.  Then in a moment of serendipity, a Groupon for a one-day seminar at GWW arrived in my inbox, and I was ready to take the leap.



I just took the one-day screenplay seminar with Doug Katz, and I really loved it.  I'd just taken a pretty lackluster sketch writing class at The Peoples Improv Theatre, and I was sceptical, but this class was exactly what I wanted it to be.

In 7 hours, the teacher gave us literally every tool you need to write a screenplay.  Of course there is a lot of nuance still to learn, but now I know the structure, formulas that are proven to work, and I even got to pitch some ideas in class about what I want to write.  Every day since the class I've been coming up with new ideas, and I'm energized to write my first screenplay.

Next, I'm going to take a television writing class because I have a great idea for a pilot.

So, I give a hearty recommendation to Gotham Writers' Workshop.  Has anyone else gone?

Wednesday, May 16, 2012

20 things to do when you're STUCK in your acting career


This is an excerpt from my book, SO YOU WANNA BE A NEW YORK ACTOR?  It seems appropriate at the moment: lots of actors are complaining right now that the business is slow.  The union merger is causing confusion, and/or it's just a momentary lull.
BUT, You're presented with an opportunity here.  Try on of these 20 things!
(Get it? The puppy is "stuck"!)

20 THINGS YOU CAN DO WHEN YOU FEEL STUCK
1) Volunteer in a casting office. When you meet a new casting director, ask them if they ever need readers or assistants. Readers are the audition assistants that read audition scenes with the actors who come in. It’s a great way to get to know the casting people, to show that you know how to act, and to demystify the process, so you’re much more relaxed next time you come in.
2) Volunteer as an intern to do some office work with your agent or manager. It can be really eye-opening for an actor to see exactly what goes on in the office all day. The actors get to know their reps better, and vice versa. This relationship is crucial. Why not spend some time on it?
3) Take a class. Improv, Stand-up, Storytelling, VoiceOver, Shakespeare. There are 1000 great classes in the city. Classes will sharpen your talent, they will help you network, and they will give you something to put on a postcard.
4) Go to the gym.
5) Write a short film script. The book “Screenplay” by Syd Field is the classic how-to manual on screenwriting.
6) Organize an actors' support group with a few of your friends to meet once a week and work on new material. A support group can help you work your audition material, can sharpen your mailings and correspondence, and hold you accountable for your marketing plan. When you set a goal and tell everyone about it, you're much more likely to put the work in.
7) Submit yourself for five things you would not normally submit yourself for.
8) Learn a new monologue.
9) Organize your expenses to date so you are better prepared for tax season.
10) Write a thank you to your agent or manager for no specific reason, just for their partnership in causing your success.
11) Read a play you have never read before.
12) Pick your favorite actor. Rent three movies he/she is in, and have a movie marathon.
13) Register to do background/extra work. Being an extra is boring, yes, but it pays and gives you the opportunity to work on a set. If you're not comfortable with how a film/tv/commercial set works, then do some extra work and learn the lingo. You can register with the big casting directors either by mail or open calls.
14) Go to an open call you wouldn't normally attend. Open calls are great ways to gain experience and the perfect venue to debut a new monologue you've been preparing.
15) If you sing, prepare a song and tape it for your website or to send in CD form when you do mailings.
16) Hold a staged reading in your apartment. Cast your friends in all the roles.
17) Research improv and/or theatre groups and submit yourself to five.
18) Videotape yourself doing a scene or monologue and watch the tape. Look to see what works and what is missing.
19) Learn a new accent so you can add it to your repertoire. The standard way to do this is to buy practice tapes at any drama bookshop, but thanks to the magic of youtube, you can also find free lessons online.
20) Start an AFI film club with your friends. Go to AFI's website and pick one of their many “Top 100” lists, then start working your way down the list, watching the movies. Pay special attention to studying the performances.

Friday, May 11, 2012

Kickstarter Fatigue?

Remember when only a few people were using facebook to market their shows and projects?
That lasted for about a year.

Remember when only a few people were using twitter to market thir shows and projects?
Well, nope - that never happened.  Twitter was always intensely commercial.

Pretty soon we're going to be saying: Remember when only a few people used kickstarter to market their shows and projects?


Are you familiar with kickstarter.com?  It's an amazing website.  Any group - subject to approval - can submit a proposal, usually in the form of video + copy, for any project for which they are raising money.  Take a look, there are a ton of great causes.  There are also a ton of short films, theatrical productions, webseries, live events - all seeking funding.  Right now, it's a great place to get investors.  But, I predict... not for long.  I personally have already donated to a Fringe Festival Show, a show with my company, and a NYMF show.  I am not giving too much more money.

(If you're thinking about using kickstarter, it's worth mentioning that the organization only gets the money if the goal amount is met.  That protects you from sending money for a cause that is hopeless.  No point contributing $100 to build a $10,000 school in Africa, if they only raise $1000.)

I have searched a little, and it seems like there are dozens of NYC shows seeking funding.  Not every one, but a bunch.  Next year - it'll be hundreds.

Now, that doesn't mean it won't continue to be a useful way to raise money.  Most money seems to be raised by friends and fans, with updates spread through facebook and twitter.  That will continue to work.  But as kickstarter becomes more popular, I think your chance of random money from new contributors will go down.

So, if you are looking for money for a project, give it a shot, soon!  It seems to be working!

Some features of successful campaigns that I've noticed:
-Video.  And well produced video.
-Personal pleas.  A real story of passion inspires people to click the donate button.
-Incentives.  The best pitches give something to the donor, if even a mention in the program.
-Continuous updates.  Keep the donors involved.  They allow you to do the work - treat them like producers.

Best of luck.  As I've said, 2012 is the year of content!  Make it happen, Actors Who Make Money!


Wednesday, May 2, 2012

5 Reasons We Love Our Unions

I'm hearing a lot of complaining these days about SAG-AFTRA and the merge.  People are always complaining about Actors Equity. Some newly union actors can't seem to get good agents, and are simply not auditioning.  They're pissed.  Some are going fi-core.  Some are campaigning to get better agents, but the agencies are inundated with actors at the moment.  In conclusion: It's Bitch-Fest NYC 2012.

However, I'm trying to look on the bright side.
I'm trying to take a moment to think about why unions are great.  We all have our problems with them, but they exist for a reason - to make our careers better.

They don't always accomplish the goal, but I think it's time to list:

5 Reasons We Love Our Unions:

•They give us access to Health and Pension benefits.
      If you've ever had the luck of being on AEA, AFTRA or SAG Health Care... it's nice, isn't it?  Lots of people simply go without insurance, and some pay up to $600 a month for their own.  It's so nice to feel protected with reasonably solid insurance, and know that you've earned it.

•Once you get the job, they really protect you.
     Equity Breaks!  Meal Penalties! Overtime?!  What?  One can argue that the wages could be higher, especially for AEA contracts, but no one will argue about the conditions under which you work.  The standards set forth by the unions are high--at times decadent.  SAG-AFTRA sets must have a guaranteed never-ending flow of food.  Name another job that has that.

•They have a vested interest in making sure you don't get ripped off.
     Equity and SAG-AFTRA make money every time you make money, so they try their best to make sure you get what you deserve.
     A client of mine did a non-union commercial for a restaurant that paid $1000, and held a conflict with restaurants for 2 years.  (So, he couldn't audition for commercials for restaurants for 2 years.)  That's ridiculous!  If you book a union commercial, yes you often get a conflict, but they pay you quarterly even if the commercial isn't in use.  Of course you hope they use it, so you make more!  You never have to hold a conflict, unless you're getting regular checks.

•Unions keep tabs on agents.
     In order to work on union projects, agents must be franchised with the unions.  We all know horror stories about agents and managers trying to rip off actors.  Unions keep them accountable.  Agents are working under strict guidelines, without which, they'd have way too much power.  They could charge 50% commission.  Why not?  We'd still need them.
    Just a note: Managers are not franchised by the unions.  So if you're involved with a manager, just make sure that you've thoroughly read the contracts.

•Fringe benefits.
     Discounts
     The Shoe Fund
     The Actors Fund
     VITA
     iActor
     Screenings, free DVDs, tickets to show, classes
     Prestige and peer support

Keep these in mind as you're paying your dues twice-yearly, and maybe you won't have to make tiny cuts into your legs, just the survive.